Новости11 августа 2011
Первый Компьютер12 августа 2011 года отмечается 35 - летиний юбилей выхода в свет первого компьютера. 11 августа 2011
Цой жив15 августа отмечается 21-ая годовщина со дня смерти Виктора Цоя. |
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The side of the plane SHEARS OFF! Screaming PASSENGERS are sucked out into the night air, flying past the quivering wind. Magazines and other objects fly everywhere.
JACK (V.O.) Life insurance pays off triple if you die on a business trip.
Jack remains in his same position, same bland expression.
DING! -- the seatbelt light goes OUT. Jack SNAPS AWAKE. EVERYTHING IS NORMAL. Some passengers get out of their seats. From next to Jack, a VOICE we've heard before...
VOICE There are three ways to make napalm. One, mix equal parts of gasoline and frozen orange juice...
Jack turns to see TYLER. Without turned to Jack, Tyler continues:
TYLER Two, equal parts gasoline and diet cola. Three, dissolve kitty-litter in gasoline until the mixture is thick.
JACK Pardon me?
Tyler turns to Jack.
JACK (V.O.) This is how I met --
TYLER Tyler Durden.
Tyler offers his hand. Jack takes it.
TYLER You know why they have oxygen masks on planes?
JACK No, supply oxygen?
TYLER Oxygen gets you high. In a catastrophic emergency, we're taking giant, panicked breaths...
Tyler grabs a safety instruction CARD from the seatback, hands it to Jack.
TYLER Suddenly, we become euphoic and docile. We accept our fate.
Tyler points to passive faces on the drawn figures.
TYLER Emergency water landing, 600 miles per hour. Blank faces -- calm as Hindu cows.
Jack laughs.
JACK What do you do, Tyler?
TYLER What do you want me to do?
JACK I mean -- for a living.
TYLER Why? So you can say, "Oh, that's what you do." -- And be a smug little shit about it?
Jack laughs. Tyler reaches under the seat in front of him and lifts a BRIEFCASE.
TYLER You have a kind of sick desperation in your laugh.
Jack points to his own briefcase.
JACK We have the same briefcase.
Tyler turns the top of his briefcase toward Jack.
TYLER Open it.
Jack looks at Tyler, then pops the latches and raises the lid to reveal quaintly-wrapped bars of SOAP.
TYLER Soap -- the yardstick of civilization. (reaches in his pocket) I make and sell soap...
Tyler hands Jack his card. "THE PAPER STREET SOAP COMPANY."
TYLER If you were to add nitric acid to the soap-making process, one would get nitroglycerin. With enough soap, one could blow up the world, if one were so inclined.
Tyler SNAPS the briefcase shut. Jack stares.
JACK Tyler, you are by far the most interesting "single-serving" friend I've ever met.
Tyler stares back. Jack, enjoying his own chance to be witty, leans closer to Tyler.
JACK You see, when you travel, everything is small, self-contained--
TYLER The spork. I get it. You're very clever.
JACK Thank you.
TYLER How's that working out for you?
JACK What?
TYLER Being clever.
JACK (thrown) Well, uh... great.
TYLER Keep it up, then. Keep it right up.
Tyler stands, looks towards the aisle.
TYLER ... As I squeeze past, do I give you the ass or the crotch?
Tyler moves to the aisle, his ass toward jack, walks away...
TYLER We are defined by the choices we make.
Tyler goes to the curtain dividing First Class, slaps the curtain aside and sits in an empty seat. Jack watches.
JACK (V.O.) How I came to live with Tyler is: airlines have this policy about vibrating luggage.
INT. BAGGAGE CLAIM AREA - NIGHT
Utterly empty of baggage. No people except for Jack and a SECURITY TASK FORCE MAN. The Security TFM, smirking, holds a receiver to his ear from an official phone on the wall.
SECURITY TFM (to Jack) Throwers don't worry about ticking. Modern bombs don't tick.
JACK Excuse me? "Throwers?"
SECURITY TFM Baggage handlers. But when a suitcase vibrates, the throwers have to call the police.
JACK My suitcase was vibrating?
SECURITY TFM Nine time out of ten, it's an electric razor. But, every once in a while ... (whispers) ...it's a dildo. It's airline policy not to imply ownership in the event of a dildo. We use the indefinite aricle: "A dildo." Never "Your dildo."
Jack sees, through the window, Tyler, at the curb, throwing his briefcase into the back of a shiny, red CONVERTIBLE. Tyler leaps over the door into the driver's seat and PEELS OUT. jack turns away, looks at the Security TFM.
In the background, a HARRIED MAN dashes after Tyler and the convertible, SCREAMING.
JACK (to Security TFM) I had everything in that bag. My C.K. shirts... my D.K.N.Y. shoes...
SECURITY TFM (into phone) Yeah, uh huh... yeah? (pause, still on phone) Oh...
EXT. EMPTY RUNWAY
A lone SUITCASE sits on the concrete. SECURITY PERSONNEL keep their distance. KABOOM! The suitcase explodes.
INT. BAGGAGE CLAIM AREA - RESUMING
The Security TFM, shakes his head, hangs up.
SECURITY TFM I'm terribly sorry.
The Security TFM hands Jack a claim form. Jack snatches it, disgusted, takes out a pen, starts filling out the form.
SECURITY TFM You know the industry slang for "Flight Attendant?" "Air Mattress."
INT. TAXI - MOVING - NIGHT
Along a residential street. Jack looks ahead, sees a tall, grey, bland BUILDING on the corner.
JACK (V.O.) Home was a condo on the fifteenth floor of a filing cabinet for widows and young professionals. The walls were solid concrete. A foot of concrete is important when your next- door neighbor lets her hearing aid go and has to watch game shows at full volume...
The taxi turns a corner and Jack sees the front of the building. A diffuse CLOUD of SMOKE wafts away from a BLOWN- OUT SECTION of the fifteenth floor. FIRETRUCKS, POLICE CARS and a MOB are all crowded around the lobby area.
JACK (V.O.) -- Or when a volcanic blast of debris that used to be your furniture and personal effects blows out your floor- to-ceiling windows and sails flaming into the night.
EXT. STREET IN FRONT OF BUILDING
Jack, gaping at the sight above him, absently gives the Cabbie money. The taxi pulls away. Jack starts toward the building. He pushes through the fray of people, into the...
INT. LOBBY
The DOORMAN sees Jack enter, gives a sad smile, shakes his head. Jack starts for the elevator.
DOORMAN There's nothing up there.
Jack presses the button. The Doorman moves next to him.
DOORMAN You can't go into the unit. Police orders.
The elevator doors open. Jack hesitates. The doors close. Jack heads out the lobby doors. The Doorman follows...
EXT. CONDO BUILDING - CONTINUOUS
Jack walks past SMOKING, CHARRED DEBRIS -- a flash of ORANGE from the Yang table, a CLOCK FACE from the hall clock, part of an arm from the GREEN ARMCHAIR. His feet CRUNCH glass.
JACK (V.O.) How embarrassing.
DOORMAN Do you have somebody you can call?
Jack comes to his REFRIGERATOR lying on its side. He reaches down and takes a note: "MARLA --" and a phone number, from under a BANANA MAGNET.
CLOSE SHOT - JACK'S STOVE
Hissing.
JACK (V.O.) The police would later tell me that the pilot light might have gone out... letting out just a little bit of gas.
EXT. PAYPHONE - RESUMING
Jack gets to a PAYPHONE. The Doorman follows, watching him.
DOORMAN Lots of young people try to impress the world and buy too many things.
Jack picks up the receiver, puts in a quarter. He looks at Marla's number a long moment.
CLOSE SHOT - JACK'S ENTIRE CONDO - KITCHEN AND LIVING ROOM
The SOUND of the HISS...
JACK (V.O.) The gas could have slowly filled the condo. Seventeen-hundred square feet with high ceilings, for days and days.
EXT. PAYPHONE - RESUMING
Jack replaces the receiver. He pockets Marla's number, digs out a small FILOFAX. He flips through the pages for phone numbers and addresses. Most of the pages are blank.
DOORMAN Many young people feel trapped and desperate.
INSERT - CLOSE ON THE BASE OF JACK'S REFRIGERATOR
JACK (V.O.) Then, the refrigerator's compressor could have clicked on...
Click. KABOOM! SCREEN GOES WHITE.
EXT. PAYPHONE - RESUMING
Jack looks at the Doorman. Tyler's BUSINESS CARD falls from the Filofax. Jack catches it.
DOORMAN If you don't know what you want, you end up with a lot you don't.
The Doorman walks away. Jack stares at Tyler's card.
JACK (V.O.) If you asked me now, I couldn't tell you why I called him.
Jack re-deposits the quarter, dials Tyler's number. It RINGS... and RINGS and RINGS. Jack sighs and hangs up the phone. A moment, then the phone RINGS.
JACK Hello?
TYLER'S VOICE Who's this?
JACK Tyler?
TYLER'S VOICE Who's this?
JACK Uh... I'm sorry. We met on the plane. We had the same briefcase. I'm... you know, the clever guy.
TYLER'S VOICE Oh, yeah.
JACK I just called a second ago. There was no answer. I'm at a payphone.
TYLER'S VOICE I star-sixty-nined you. I never pick up my phone. What's up?
JACK Well... let me see... here's the thing...
EXT. LOU'S TAVERN - NIGHT
A small building in the middle of a concrete parking lot.
INT. LOU'S TAVERN - SAME
Jack and Tyler sit in the back, with a pitcher of BEER.
JACK You buy furniture. You tell yourself: this is the last sofa I'll ever need. No matter what else happens, I've got the sofa issue handled. Then, the right set of dishes. The right dinette.
TYLER This is how we fill up our lives.
Tyler lights a cigarette.
JACK I guess so.
TYLER And, now it's gone.
JACK All gone.
Tyler offers cigarettes. Jack declines.
TYLER Could be worse. A woman could cut off your penis while you're asleep and toss it out the window of a moving car.
JACK There's always that.
TYLER I don't know, maybe I'm wrong. Maybe it's a terrible tragedy.
JACK ...no ...no ...
TYLER I mean, you did lose a lot of nice, neat little shit. The trendy paper lamps, the Euro-trash shelving unit, am I right?
Jack laughs, nods. He shakes his head, drinks.
TYLER But maybe, just maybe, you've been delivered.
JACK (toasts) Delivered from Swedish furniture.
TYLER Delivered from armchairs in obscure green stripe patterns.
JACK Delivered from Martha Stewart.
TYLER Delivered from bullshit colors like "Cobalt," "Ebony," and "Fuchsia."
They laugh together. Then, silence. They drink.
JACK Insurance'll cover it.
TYLER Oh, yeah, you gotta start making the list.
JACK What list?
TYLER The "now I get to go out and buy the exact same stuff all over again" list. That list.
JACK I don't... think so.
TYLER This time maybe get a widescreen TV. You'll be occupied for weeks.
JACK Well, I have to file a claim...
TYLER The things you own, they end up owning you.
JACK Don't I?
TYLER Do what you like.
JACK (looks at watch) God, it's late. I should find a hotel...
TYLER A hotel?
JACK Yeah.
TYLER So, you called me up, because you just wanted to have a drink before you... go find a hotel?
JACK I don't follow...
TYLER We're on our third pitcher of beer. Just ask me.
JACK Huh?
TYLER You called me so you could have a place to stay.
JACK No, I...
TYLER Why don't you cut the shit and ask if you can stay at my place?
JACK Would that be a problem?
TYLER Is it a problem for you to ask?
JACK Can I stay at your place?
TYLER Yes, you can.
JACK Thank you.
TYLER You're welcome. But, I want you to do me one favor.
JACK What's that?
TYLER I want you to hit me as hard as you can.
JACK What?
TYLER I want you to hit me as hard as you can.
Freeze picture.
JACK (V.O.) Let me tell you a little bit about Tyler Durden. |
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